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IF MEN DEFINE SITUATIONS AS REAL, THEY ARE REAL IN THEIR CONSEQUENCES

Glossary

MORALS

A person's standards of behaviour or beliefs concerning what is goodness and rightness in character and behaviour.

In the Kantian tradition, a persons’ moral worth relies on the quality of his/her will, and not on external conditions. Thus one acts rightly because it is right. The morals is based on notions of duty, obligation, and principles of conduct, while the ethics is based on the notion of virtue, closer to Aristotelian approach to practical reasoning. In everyday life the propensity for moral thinking of persons depends greatly on external circumstances, way of life, emotions, self-interest, or cultural habits. It is influenced by the matters of chance and choice like in the case of moral dilemma when whatever one might do, it is something ought not to be done.

An example in the ARTS -> “The Threepenny Opera”

"You gents who to a virtuous life would lead us
And turn us from all wrongdoing and sin
First of all see to it that you feed us
Then start your preaching
That's where to begin
All you who love your paunch and our propriety
There's one thing you must finally realize
No matter how you try to twist and turn it
First comes the grub
Then you can moralize
There must first be a chance for all now poorly fed
To get their slice
Of life's great loaf of bread
How does a man survive?
By daily cheating
Mistreating, beating others
Spitting in their face
Only that man survives
Who's able to forget
That he's a member of
The human race
Gentlemen
This truth you cannot shirk
Man lives exclusively
By dirty work"

REF -> The opening song of Bertolt Brecht’s musical The Threepenny Opera. Lyrics Bertolt Brecht, Music Kurt Weill, based on John Gay's The Beggar's Opera, 1728. The film had its premiere in Berlin on February 19th 1931, it was restored in 2006 for the films 75th anniversary from the original negative in the German Federal Archives.

http://en.wikipedia.org/wiki/File:Threepennyopera1931.jpg

A
ADAPTABILITY
Learn from experience and adjust to new circumstances or environment.
ART
A creative mental or physical activity done by artist in order to produce an artwork.
ART by UNESCO (1980)
UNESCO Member States recognise that “art reflects, preserves and enriches the cultural identity and spiritual heritage of the various societies, constitutes a universal form of expression and communication and, as a common denominator in ethnic, cultural or religious differences, brings home to everyone the sense of belonging to the human community, should accordingly, and for these purposes, ensure that the population as a whole has access to art.”
ARTIST
A liable agent of the art who produces artworks as a profession or hobby.
ARTIST by UNESCO (1980)
Implies “any person who creates or gives creative expression to, or re-creates works of art, who considers his artistic creation to be an essential part of his life, who contributes in this way to the development of art and culture and who is or asks to be recognised as an artist, whether or not he is bound by any relations of employment or association.”
ASSET
A resource with economic value owned by an individual, corporation, or country, that might provide benefit in the future. This includes cash, stocks, bonds, equipment, buildings, real estate, etc.
AUTONOMY
The condition of self-government. The autonomy of an individual or organisation depends on access to resources in the environment and competition for them.
ACTOR-ENVIRONMENT MODEL
Two dominant paradigms includes: natural selection model, focused on survival and environmental selection; and political economy model or resource dependence model, focused on strategic choice and adaptation to the environment.